This Week's Freebie from The 1937 Flood

 This old John Stewart composition came to us in the very first hours of The Flood’s origin story. And now, a half century later, darned if it hasn’t rolled back into our lives. 

 
Here’s “July, You’re a Woman.”

"This Week's Freebie from The 1937 Flood

 We do a version of this song that most people don’t sing. We got our inspiration from an old Folkways album that Rolf Cahn and Eric von Schmidt recorded back in 1961.

This Week's Freebie from The 1937 Flood

 Here’s a song that we likely wouldn’t even know about were it not for the diligence and the curiosity of a researcher who was far from an ordinary young woman of her time. 

 
Born in 1892 to a prominent family in Paducah, Ky, Mary Guthrie Wheeler was destined from the start for adventure. Rather than settling into a quiet, conventional life, she embraced the extraordinary. And her most enduring adventure took place right at home, collecting the songs and stories in the hardscrabble life of the men and women who worked along the Ohio River. 

Here’s one she found for her 1944 book, “Steamboatin’ Days.”

This Week's Freebie from The 1937 Flood

 It’s hard to believe, but it’s been 10 years now since Randy Hamilton brought us this tune. It resonated with us then and even more so today. 

 
Written by Eastern Kentucky’s own Chris Stapleton, this is an anthem to the power of resistance and redemption. 

Here’s Randy leading us on “Can You Run?”

This Week's Freebie from The 1937 Flood

 We sure wish we had started doing this song back when our buddy Dave Peyton was still alive. Oh, how Dave would have loved the goofy, gritty gospel vibe of this tune from the incomparable Mister Tom Waits.

This Week's Freebie from The 1937 Flood

 Our Randy Hamilton was just born to sing songs like this. He and Danny Cox brought us “Spooky,” this old Classics IV tune, last summer and we’ve been loving it ever since.

 

 

 

This Week's Freebie from The 1937 Flood

 The fun of playing some songs is that we just never know what we’re going to hear. This George Gershwin piece is like that, ever since Danny Cox brought better chords for last year. 

Now the song is like a shiny little red convertible parked in the garage just waiting for the next sunny day.

You and your buddies pile in, not knowing where you’re going, just enjoying the company and the sights and the sounds of each other’s laughter along the way. 

Hop in! We’re going for a joy ride!