The word “evergreen” has a special meaning in our band room. It means a tune that’s timeless. Like this Tom Paxton classic. It is 60 years old, but it feels it could have been written last week — or a century ago.
Occasional ramblings of The 1937 Flood, West Virginia's most eclectic string band!
The word “evergreen” has a special meaning in our band room. It means a tune that’s timeless. Like this Tom Paxton classic. It is 60 years old, but it feels it could have been written last week — or a century ago.
We still remember the night Joe Dobbs wandered into The Flood band room a couple of decades ago and said, “Hey, do you know the song ‘Satin Doll’? Boy, was he asking the right guy.
Charlie Bowen grew up in a home full of jazz records by Ella Fitzgerald and Duke Ellington, Count Basie and Harry James. In BowenWorld, “Satin Doll” was as much a part of the household soundtrack and anything on the radio.
Now, we don’t think Joe really cared about the song’s honored status in the jazz world. But he was tickled by a folksy rendition of it he had just heard by fiddler Stephane Grappelli and David Grisman and was eager to bring the tune into the Flood repertoire.
The Flood has always celebrated diversity. We often follow at folk blues with a swing tune or chase a 1950s jazz standard with some 1920s jug band stuff.
This bit of fluff from Bob Dylan’s “Nashville Skyline” album more than a half century ago is one of his least-recorded song, but The Flood has always enjoyed playing it over the decades.
We’re channelling 1966 with this tune. It’s our take on the first track of the third album by the late great Lovin’ Spoonful!
If your mother (or grandma or maybe your great-grandmother) was a Bobby-soxer in the 1940s, she probably danced to this song.
In the Floodisphere,we’ve found that “Opus One” is wonderful way to warm up for an evening of tunes.
For the past month, the world has been fascinated by a new movie about a 20-year-old with a head full of ideas rolling in from the North Country into New York City in the 1960s and changing music forever.
All kinds of stories are told at the weekly rehearsals. Some are shared for laughs. Others are merely melodies and improvisations. Some come with pictures. And some — like this one — are the tales that are many times older than all of us.
When Dave Peyton and Charlie were just starting out as a duo in the early 1970s, they discovered that on this tune, a repeated scale descending from an opening minor chord resonated nicely on the guitar-Autoharp accompaniment to their voices.
Often the first notes of the evening set the pace, the mood and the tone for the entire rehearsal.
Now, we’ve been doing this great old 1920s jazz standard for only a couple of years, but it’s already become one of our go-to tunes for a good time, especially whenever Dan’s got new musical ideas to explore.
When the whole band can’t get together — like last week, when it was just Danny, Randy and Charlie — it’s an opportunity to explore tunes not usually on the practice list.