Friday, April 17, 2009

Huntington Symphony vs. The 1937 Flood -- In the World's Most Lopsided Battle of the Bands, uh, They Won...fam


What a farcical, sad, strange week this has been for the Family Flood. Cascading events have culminated in our being forced to cancel plans for a June 14 concert with our old steamboatin' buddies, ragtime pianist Jazzou Jones and tenor banjo master Bob Schad, both of whom we've known and played with over the years on The Delta Queen steamboat and elsewhere.

How strange a week was it, you ask?

Well, it's not every day you find musicians blocking other musicians from performing. But yesterday that's just what the board of directors of the Huntington Symphony Orchestra voted to do.

Background: Jazzou and Bob have been invited to Huntington to play with the orchestra as part of its POPS series in a Saturday night concert down on the riverfront on June 13. They'll be here because of the good works of a local longtime steamboater who is a member of the orchestra board.

As soon as we heard our pals were coming to town, we contacted them and made plans for a Jazzou-Bob concert with The 1937 Flood on the day after the orchestra's performance. The Flood never intended to have any financial stake in the concert. On the contrary, donating our time and energy, we planned to charge admission for the Sunday concert and all revenue would go to Jazzou and Bob. We figured we could draw maybe a hundred people. At $10 a head, Jazzou and Bob would each get $500, perhaps doubling what the orchestra would be paying them for the previous night.

We then contacted the folks at Renaissance Arts Resources (the old Huntington High) who agreed to donate space for the concert, returning favors for The Flood's helping with their fundraisers. Once word got out around the Internet about the big Bob-Jazzou weekend -- the orchestra on Saturday night, then with The Flood on Sunday afternoon -- steamboatin' fans from as far away as New York and Florida started making plans to be here. So we were set to go.

Or so we thought.

But then out of the blue last Sunday night, Charlie got a call from the same orchestra board member who had originally arranged the appearance.

Now, we all know poor ol' Charlie is a bit naive, but he actually thought she was calling to thank us ... you know, for donating our time, enhancing the weekend, making it even more attractive to those out-of-towners who may be thinking about coming here ... not to mention, oh, providing a chance for more income for our mutual friends. Sorry, Charlie -- not so fast. No, the board member was upset. She said she believed The Flood concert on Sunday would somehow detract from the orchestra's performance the previous night.

Uh, what now?

Saying it slower so Charlie could grasp the concept, she said she thought that people might decide to go to The Flood event instead of the orchestra's concert on the riverfront.

Okay, now, well, that's sort of flattering. Why, yes, of course, there are many similarities between The Flood and a symphony orchestra (though we think we've demonstrated that our kazoo player is better). Still .... well, we don't exactly draw from the same fan pool. Surely no one would seriously think that someone interested in the orchestra would opt for The Flood instead, or vice versa. Who would honestly think a Sunday concert by the Flood would adversely affect the previous night's performance by the orchestra? In fact, it might have really improved turnout for POPS' Saturday evening event. Here's why. Jazzou and Bob have friends all over the country, and the pair -- living thousands of miles apart, as they do -- get to appear together very, very rarely these days. As word spread that there would be not one, but two opportunities to see and hear them together again, there would be twice as much reason for their many out-of-town fans to invest in coming to Huntington for that weekend.

Nope. Not having a bit of it. She remained unconvinced.

Matters escalated on Monday morning, when Charlie talked to the new orchestra manager, who told him that Jazzou and Bob would be bound by "performance contracts" that prohibited them from playing within 60 miles of Huntington for 60 days before and after the concert.

Huh. Well, now, that was news. The board member certainly hadn't mentioned anything about contracts during her lengthy conversation with Charlie the night before. And honestly? You got to question just when these performance contracts actually came into being. We're betting that West Virginia jazz great Bob Thompson didn't signed such a contract before his performance with the symphony. Hey, come to think of it, The Flood itself didn't sign anything like that when we played with the symphony orchestra on the riverfront several years ago. So, you just have to wonder if these restrictions were only now being brought up.

Anyhoo....

In advance of yesterday morning's monthly orchestra board meeting, we asked a longtime Flood fan who is also on the orchestra board to make our case to her fellow board members. We wanted her to at least make sure they understood The Flood's good intentions in all of this. Alas, despite her efforts, she reported afterward that the board discussed the issue but in the end would not remove the "60 days, 60 miles" contract provision.

So, there you have it. After consultation with Jazzou, we've reluctantly canceled the June 14 event. We're sad, of course, but also we can't help marveling at the ironies of this week. ...

That someone would work so hard to bring beloved steamboat musicians to town, then work just as hard to keep them from perhaps doubling their income while they're here. ...

That the city would open its arms to steamboat and ragtime fans from all over the country to come hear these musical giants, then systematically cut in half the opportunity to visit with them in our town. ...

That a mighty orchestra all of a sudden would turn protectionist and worry about losing money because of the efforts of a quirky little string band that was simply trying to donate its services and make memories for friends.

But then, on a brighter note, who'd've thought The Flood would ever get to scare a whole symphony orchestra?

1 comment:

  1. Charlie, I'm so sorry to read about this whole mess!

    The situation reminds me very much of when a friend of mine started a community orchestra in a suburb near Columbus. The powers that be at the Columbus Symphony immediately perceived this as a threat--why, certainly patrons of this new orchestra (donors as well as ticketholders) would withdraw their support from the CSO! The funny part was, the new orchestra was actually designed to *increase* support for the big orchestra--it brings together CSO musicians and other local professionals, students, and community members in an educational setting. And it has succeeded in bringing in new audiences as more and more folks in the neighborhood come out to support their friends and neighbors and discover in the process that they like orchestral music. The community orchestra is able to reach out in ways the professional orchestra never could, but no one downtown recognized that.

    Meanwhile, tensions between the musicians of the Columbus Symphony and its board of directors crippled the organization and forced it to shut down for six months. The board wanted to decrease the number of full-time musicians in order to save money, not realizing the devastating effects this would have on the quality of the orchestra and the musical community at large.

    Unfortunately, this kind of myopia seems to be rampant. Most symphonies are still run on business models established in the nineteenth century--and they didn't work so well then, either! The problem is that the necessity of donors, endowments, and corporate sponsorship--as ticket sales can never generate enough revenue to fairly compensate the 75 or so highly skilled, highly trained workers on stage--brings in board members who know a lot about money, but nothing about music. (The board president who nearly killed the CSO was a trial lawyer specializing in business litigation.) Many boards/administrations seem to think that there is only one pie and they need to get their slice, instead of recognizing that music actually thrives best where lots of musicmaking is taking place. They should be baking all kinds of new pies with all kinds of different people! It sounds to me like the Huntington Symphony is missing out on a huge opportunity here to grow their audience through cross-promotional efforts.

    If it makes you feel better, I have several friends and colleagues who regularly play with the HSO, and I'm sure they will be horrified when I tell them about this!

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