Here’s the latest treasure that Randy Hamilton and Danny Cox have brought to The Flood’s table, a Charlie Starr composition from Alabama that resonates powerfully in our own Appalachian hills as well.
Occasional ramblings of The 1937 Flood, West Virginia's most eclectic string band!
Here’s the latest treasure that Randy Hamilton and Danny Cox have brought to The Flood’s table, a Charlie Starr composition from Alabama that resonates powerfully in our own Appalachian hills as well.
Here’s an audio snapshot of the end of last week’s rehearsal.
We’d had a wonderful evening singing with Flood sweetheart Kathy Castner who had made one of her rare visits in from Cincinnati.
But at the same time, over in the corner, Danny Cox and his guitar have one more tune to do with Kathy. Listen as the guys realize what’s happening and join in for this sweet final moment of the night.
Here’s a tune that will be on the set list tomorrow night when The Flood opens the festivities at this year’s Diamond Teeth Mary blues festival in downtown Huntington.
As noted last week, by the time Brooks wrote that, his songwriting chops were already firmly established with songs like this one, which was performed by everyone from Sophie Tucker and Mae West to Tampa Red, Georgia Tom and Frankie “Half Pint” Jaxon.
Here’s The Flood’s take on “I Wonder Where My Easy Rider’s Gone.”
Remember, the Diamond Teeth Mary Medicine Show will be rocking downtown Huntington tomorrow night in the beautiful Heritage Station, 210 11th Street. The Flood takes the stage at 6 p.m.
We had our old buddy Jim Rumbaugh in the band room recently. Jim will be sitting in with us when The Flood plays at the latest Diamond Teeth Mary blues festival next week.
Last week, after we’d worked on the blues tunes we’ll do for the show, we switched this rocking old Roaring Twenties number from Shelton Brooks.
It all went well until I tried to tag it with a classic Chuck Romine ending. Hey, who knew there’d be spelling?!
As we start thinking about what The Flood should play for its set at this year’s Diamond Teeth Mary blues festival here in Huntington, one song seems like a natural. It’s a near-century-old tune that touched the lives of two great West Virginia jazzmen.
Big band composer Don Redmond, who hailed from the eastern part of the Mountain State, wrote the song in 1929.
Then a dozen years later, the phenomenal saxophonist Chu Berry from Wheeling recorded it in his very last studio session. Here’s The Flood’s latest take on Redmond’s great “Gee, Baby, Ain’t I Good to You?”
Surely, no innovation in modern human history has gotten so deeply into our psyche, into our hearts and minds. Railroad imagery fills our art and music, symbolizing so many beginnings … and endings.
The late Dave Peyton inspired Charlie Bowen to write this song.
And what bothered him almost as much was the paralyzing grief felt by generations of Mountain State natives, a communal sorrow for not being able to stop the rape of our home.
An old friend, Jim Strother, once said, “Remember back when you’d see a fella ramblin’ along carrying a guitar case, and he’d have his coat collar turned up against the wind and a cap pulled down over his eyes. With just one look you knew everything you needed to know about that guy.”
There’s nothing like a good old train song to capture the crossroads in a man or a woman’s life. Here’s one of the best in our repertoire.
"Yellow Dog Blues" was the last tune of our night with John Ace, the wonderful fiddler introduced to us by Floodster Emeritus Dave "Bub" Ball.
We’re celebrating America’s 250th birthday with Woody Guthrie’s best-loved tune, a song that many of us think ought to be the national anthem.
When the room needs a respite from the band’s frequent fare of loud and raucous tunes, Randy Hamilton and Danny Cox always have just what the doctor ordered.
Dave Peyton, Roger Samples and Charlie Bowen used to play this tune back in the ‘70s, but it’s only recently come back into the Floodipshere.
Our Flood brother Danny Cox and his sweet wife Tami are on vacation this week, but before they hit to the road, we had to give Dan a good Flood set-off.
We’ve said it before. We’ll say it again. Much of the music made at our weekly rehearsals is conversations that aren’t burdened with so many words. This particular conversation is saying, “Damn, man, it’s good to see y’all again!”
A lot of the hokum tunes that The Flood has always loved were born far to the south of us, in place like Memphis and New Orleans.
Since it’s Memorial Day weekend, we wanted to offer something appropriate in this week’s podcast.
So, here’s jubilant little hymn from your friends in The Flood.
The Flood band room is usually a rather raucous place —rocking tunes, loud talk, lots of laughter — but often that mood can turn on a dime to something softer, even almost fragile.
This great late-‘60s Lovin’ Spoonful tune is the perfect opportunity to answer listeners’ requests for another little sample from Danny Cox’s recent band room reunion with his old buddy Bobby Murnahan.
We knew the band room was going to rock as soon as we saw our Danny Cox was bringing along his life-long buddy, guitarist Bobby Murnahan, who was visiting from Colorado.
A half dozen years after his death at beginning of the horrid Covid pandemic, songwriter John Prine is still very much on our minds. Here’s one of The Flood’s favorite John Prine songs.
Our rendering of this ancient bittersweet song of love and loss dates back more than 45 years now, but each times we play it, it seems as new and fresh as a summer evening.
Last month one of our heroes — guitarist Tommy Emmanuel — released a special rendition of this song in honor of another of our heroes — Doc Watson — and hearing Tommy’s playing of it has impacted our take on the tune. Here’s our latest version of “Ready for the Times to Get Better.”
The Flood started playing around with hokum music — those good old jug band tunes from the 1920s — about a half century ago, but it took another 20 years for us to feel confident enough to try to write one of those kind of songs ourselves. Charlie started putting this tune together back in the early 1990s, but then it took another 30 years for us to feel like we could play it.
Charlie wrote “The Answer Is You” while reflecting on the decades that he and Pamela have been “in each other’s care,” the lyrics say.
The song actually has been in the wings for some 15 years now, patiently waiting for its Flood debut. Only recently did we realize that what it needed what Jack’s tasty rhythm and Danny’s definitive guitar stylings. They’ve certainly made it worth the wait.
This old John Stewart composition came to us in the very first hours of The Flood’s origin story. And now, a half century later, darned if it hasn’t rolled back into our lives.
We do a version of this song that most people don’t sing. We got our inspiration from an old Folkways album that Rolf Cahn and Eric von Schmidt recorded back in 1961.
Here’s a song that we likely wouldn’t even know about were it not for the diligence and the curiosity of a researcher who was far from an ordinary young woman of her time.
Here’s one she found for her 1944 book, “Steamboatin’ Days.”
It’s hard to believe, but it’s been 10 years now since Randy Hamilton brought us this tune. It resonated with us then and even more so today.
We sure wish we had started doing this song back when our buddy Dave Peyton was still alive. Oh, how Dave would have loved the goofy, gritty gospel vibe of this tune from the incomparable Mister Tom Waits.
Our Randy Hamilton was just born to sing songs like this. He and Danny Cox brought us “Spooky,” this old Classics IV tune, last summer and we’ve been loving it ever since.
The fun of playing some songs is that we just never know what we’re going to hear. This George Gershwin piece is like that, ever since Danny Cox brought better chords for last year.
Now the song is like a shiny little red convertible parked in the garage just waiting for the next sunny day.
Hop in! We’re going for a joy ride!
Sometimes the chemistry’s right — the stars align — however you want to say it… and the best song of the night is one you didn’t even plan to do. Here’s that moment from a recent rehearsal.
Charlie’s Grandma Bowen had a thing about mockingbirds.
When he was just a little boy he remembers her winking at him and saying, “Now, Eddie, be careful what you say around mockingbirds. Those darn birds? They’ll tell your secrets every time.”
Our guitarist Danny Cox paints pictures with his sound.